1. _ Impenetrable
pre>intro: am / am+9 / em7 / dm7 (twice)
Am+9 means hammer the b, that is, am 577555 am+9 577557
Am
I'm in a trailer with some white trash.
Em7 dm7
They're drinkin' beer and smokin' grass
Am
There's a dumb chick with peroxide hair.
Em7 dm7
She's got axl rose tattooed on her ass
Am
They're holding me up like a trophy in a hall
Em7 dm7
Like a deer skin or a bear's head they bought from the mall
Am
I act like i'm with them but i'm behind a wall
Em7 dm7
Behind a wall in the darkness
Chorus
Am am+9 em7 dm7
Impenetrable i can't get inside of it no
Am am+9 em7
Impenetrable i ca - ah - ah - ah - an't
Am
Impenetrable (riff)
I wake up in a foreign bed.
The hotel is empty the porters are dead
The maids are diseased but the manager said:
I'll buy you a drink in the bar pal
Because you're our last customer. you're our last hope
The city's deserted, the government's broke
I act like i'm with him but i'm ready to bolt
Out through the door into the darkness
Chorus repeat
Guitar solos over verse
Out in the darkness the new year's crowd howl
It's the same celebration for 20 years now
I found myself there once alone in a crowd
And the rules haven't changed for a minute
They're hoisting an effigy up on a pole
It's someone i remember, it's someone i know
I can't place the face but when the gasoline flows
I feel the flames lick round my ankles
Fmaj7 dm7 fmaj7 am
Aaaah oh aaah oh
Fmaj7 dm7
Aaaah oh
Chorus repeat /pre>
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2. _ Baggage
pre>capo at fret 2 intro em / am / em
Em am em
Come and pick up your baggage it's cluttering up my head
Em c am d
There always seems to be a catch to everything you've ever said
Em am em
There always seems to be a lock a belt or a buckle or a key
Em c am d
The world is filling up with stuff i can't even see
Bridge #1
Bm c bm
It's like a mountain of debris that doesn't do anything
F#m g f#m
It just gets deeper than the sea and piles up to the sky ooo ooo
G a
It stops you being where you should be, somewhere else
Come and pick up your baggage. put it on another plane
It complicates the simple things steps on the brakes again and again
Shift it lug it move it on together with your point of view
It's getting hard to separate your baggage from you
Bridge #2
Bm c bm
It's like a virus or a germ that grows and divides and multiplies
F#m g f#m
Then eats your insides like a worm and piles up to the sky ooo ooo
G a
It makes you old and infirm before your time
Come and pick up your baggage
Bridge #1 (1st half)
Come and pick up your baggage it's weighing down my heart
You never seem to understand the horse is not the cart
Shift it lug it move it on together with your point of view
It's getting hard to separate your baggage from you
Pick it up /pre>
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3. _ Bubblegum Cancer
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4. _ She Never Let Me Down
pre>cmaj7 bm7 f#m7 cmaj7 f#7
She never let me down. that's one thing i can say for sure
Bm7 f#m7 cmaj7 f#7
I had her wrapped around my finger. then i cut the cord
Bm7 f#m7 cmaj7 f#7
And when the night comes on and another day draws to an end
Bm7 f#m7 cmaj7 f#7
There's a world of difference between lovers and friends
She never let me down well that's one thing i tell you for sure
The autumn leaves come down like dead things and blow in the wind around my door
And when the day comes up and another night draws to an end
There's a world of difference between enemies and friends
Chorus
Cmaj7 bm7 / f#m7 / cmaj7 f#7
She never let me down ah ah
Cmaj7 bm7 / f#m7 / cmaj7 f#7
She never let me down ah ah
Instrumental verse
Bm7 f#m7 cmaj7 f#7
And when the night when the night comes on and another day draws to an end
Bm7 f#m7 cmaj7 f#7
There's a world there's a world of difference between lovers and friends
Repeat chorus (with variations) /pre>
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5. _ Bean Counter - Graham Parker
pre>in answer to the question about the groove this song is based on here
Is a rough version. i'm not sure if it's right nor not. it's possibly i've made
It (the chorus especially) needlessly over-complicated. it's probably quite simple
For someone who can actually play a bit.
Intro:
Am / am / am / am / dus2 / dus2 / dus2 / a9
Am 577555
Dsus2 557755
A9 557555
Am / am / am / am / dus2 / dus2 / dus2 / a9
Ci vil is ation
Am / am / am / am / dus2 / dus2 / dus2 / a9
Has come a long way
D7
Out of the mud where chitinous bugs
Am / am / am / am / dus2 / dus2 / dus2 / a9
Eat each other all day
Am / am / am / am / dus2 / dus2 / dus2 / a9
Am / am / am / am / dus2 / dus2 / dus2 / a9
[and so on for all the verses]
Now we're in the clouds working overtime for our pay
Countin' the numbers and being the bugs that eat each other today
Sitting in an office in a publishing house
Or in a big company working a computer clicking a mouse
Pulling up your file checking your sales
Meeting those quotas and accommodating voters that's the holy grail
Chorus
Am c d d7 dsus2 a9
Cos it's a bean counter and if that don't fill you with terr or
Am c d d7 dsus2 a9
Bean counter. takin' the human out of the human err or
In a glass tower uptown or downtown
She's workin' every hour runnin' through your contract writing your deficit down
She's downsizing everything including her brain
Snackin' on potato chips smackin' her lips lickin' her pencil again
Chorus repeat
From wall street to hong kong. chinee to chancery lane
You're being rubber stamped your style is being cramped. it all comes out the same
They're not being paid to think. that's not the idea
And they never run out of red ink, get that particularly clear
Chorus repeat
Snackin' on potato chips givin' you a scan
Deleting your account phasing you out in the trash can
Now if you don't meet projections. if there ain't enough zeroes involved
You'll get stamped rejections and then that problem is solved /pre>
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6. _ Sharpening Axes
pre>intro b b b b b b c b (then) a a a a a a b a
(0ver) em dm7 (twice)
Em dm7
I'm not selling molasses i'm not pushing tea
Em dm7
I don't appeal to the masses and they don't appeal to me
Em dm7
I'm not peddling fiction i'm not packaging youth
Em dm7
I've got a predilection for the truth
Bridge #1
Am dm
I can't stand it any longer i can't suffer any more fools
Am dm
I'm gonna keep on sharpening axes till i've got the sharpest tools
C gm
I can't access information comin' down the mainframe
C gm bm a bm a
Those puerile incantations in couplets or quatrains
Watch it all run amok now watch those idiots score
Till you can't remember that they're idiots any more
Watch that stain increasing spreading out across the earth
Till you can't remember what anything is worth
Bridge #2
I can't stand it any longer i can't listen to any more words
I'm gonna keep on sharpening axes till they cut right through this dirt
I can't access information comin down the satellite beam
All i hear is psycho babble and i don't know what it means
Instrumental section, then
Bridge #1 (1st half)
Verse #2 (1st half)
Bridge #2 (2nd half)
Bm a
Sharpening axes (3 times) /pre>
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7. _ Character Assassination
pre>doo doo etc
Am
She opens up and pulls you in, dabs a napkin on your chin
Em
She's like an ornament on a hood, does the mambo like a piece of wood
Am
Taking you under, taking you under, for the duration
The creamy liquid of your heart the vital substance that was part
Of every beat and rhythm that has come unglued and riven
Taking you under, taking you under, beyond sensation
Em
How could you lose so many things your keys your car your diamond rings?
Am
The very things that gave you inspiration
Em
How could you get sucked up like that how could you get so fucked up
Am
And let her treat you like an aberration
Em am
It's a character, character assassination
The monkey's paw and the powdered tusks the chicken feet and the corn husk em
The spanish fly and the ginseng root the snake oil and the lotus shoot am
Ran out of magic, ran out of magic and stimulation
How could you lose yourself like that? it seemed so pure and violent
Until she hit you up for small change and devastation
How could you allow yourself to rot? now you're vacant that's your lot
Now you've got to stop this disintegration
Like a character character assassination
Intro doo doos
How could you drops so many balls? how could you blow so many calls?
And take so many falls and still keep on tripping
How could you miss so many shots? how could you write so many plots?
And wind up with a book that's less than gripping
You drop her hand like a dead leaf steal her heartbeat like a thief
Crush the bones beneath her skin the marrow and the calcium
Now you're under, now you're under investigation
For a character, character assassination
Doo doos, fade /pre>
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8. _ Turn It Into Hate
pre>the latest i looked at this was the live version on
"the last rock and roll tour" - graham parker and the figgs.
This version works fairly well for me now.
Intro: b / e / b / e (twice)
First b 799677 first e 779997 second b 224442 second e 022100
B e b e b e b e
The jug heads hit the city from every country round the globe
B e b e b e b e
The ships pulled in the drinks were free the ticker tape came out in rolls
B e b e b e b e
I was sitting in a bar watching this on tv
B e b e b e b e
To me it looked like a failure but they called it victory
Bridge 1
G#m b c#m7 f#
Well if you can sleep at night go ahead that's great
G#m b c#m7 f#
You're just dreaming anyway if you don't get irate
Chorus (twice)
B e b e b e b e
Come on turn it into hate turn it into hate
Send your little boys and girls to go and play in a giant sandbox
Put your movie stars on the cover of people for goin' in for a detox
Let your happy-face news readers share a little joke
At the end of the night's transmission
Let's see the world through the eyes
Of some clown gonna make all of your decisions
Bridge 2
Well if you can sleep at night go ahead that's great
It's all been manufactured like the junk that's on your plate
Chorus repeat, then instrumental break, then intro repeat
Some of them lead the marching band suddenly they're war heroes
Some of them fall in a foreign land suddenly they're just zeroes
Some of us go back to sleep some of us learn to fear it
There's a siren blowin' in your heart you just don't want to hear it
Bridge 3
Well if you can sleep at night go ahead that's all right
Ah just don't start a fight with anyone rich and white
Chorus repeat
B e b e b e b e
Turn it, turn it, turn it, turn it turn it into hate
/pre>
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9. _ Girl On The Pier Graham Parker
pre>intro: g d em7 c
G d em7 c
G d em7 c
As the twilight was returning and the sun began to fall
G d em7 c
I walked down to the beach front and watched the whitecaps roll
G d em c
A flare exploded over the ocean. an orange tear
G d em c g
Then i saw at the corner of my eye the girl at the end of the pier
Intro repeat
G d em7 c
She stood and stared at the brightness, glowing and complete
G d em7 c
In her crinoline and lacing with the wood beneath her feet
G d em c
She walked in splinters shedding the salt of a single tear
G d em7
Who will fill up the vacuum inside her,
C g d em7 c
The girl at the end of the pier
Bridge
Em c em c
The toffee apples strewn on the pavement. the candy floss sticks to the tar
Em c
The organ grinder's monkey's been freed from enslavement
Em d
He ran beneath the wheels of a family car
Intro repeat / bridge repeat
G d em7 c
Now the funfair is shut down and the coconut shy is gone
G d em7 c
A carousel spins on regardless and the big wheel creaks and groans
G d em c
No-one saw her run to the railing and disappear
G d em c g d
One more drop in an unfeeling ocean, the girl at the end of the pier
G d em7 c g
One more drop in an unfeeling ocean, the girl at the end of the pier
D em7 c g d em7 c g
Girl at the end of the pier girl at the end of the pier /pre>
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10. _ Get Over It And Move On
pre>
Just looked at this again (26/10/97) and listened to the bass in the
Chorus which has given me a way of playing this little rocker.
You can put an asus4 x0223x in the verses as an embellishment to keep
The rhythm. the d in the intro etc is like an asus4 if you avoiding
Hitting the top string. sorta grungy.
Intro: e a d a e a d a e a d
A asus4
I've been drinking strychnine and i've dined on plastic combs
A asus4
Celebrities removed my teeth and made me clean their homes
D dsus4
I've seen operations that would chill you to the bones
A asus4
I've been charged with homicide for killing garden gnomes
Lethal spirochaetes of poison rifle through my blood
Little bombs of toxin are exploding in my gut
A girl without an umbrella relaxes in the rain
She smiled and then she broke my legs i'll never walk again
Chorus (power chords for f# and f, the bass dominates)
A (577655) g (355433) f# f
I gotta get over it and move on get over it and move on
I gotta get over it and move on get over it and move on
E a d a e a d a
Move on move on
The police hauled me downtown the barber shaved me bald
I woke up in a cardboard box wet and freezing cold
The hound dogs ate my leftovers and my penicillin mould
Now i keep my mouth shut and do just what i'm told
Chorus
Authorities removed my carpets and repossessed my bed
Then the milkman stripped my roof of every ounce of lead
The pop machine has new agendas now gangsta's girls and jerks
They call it entertainment. that's the way it works
Chorus /pre>
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11. _ They Got It Wrong (as Usual)
pre>intro f c g (twice)
F c g
They took the girl with the famous eyebrows and plucked them out
F c
They made her shadow disappear in the mirror
G
And called it a shadow of doubt
F c
Then they wanted us to pay up front
G am
For the privilege of watching this go down
F c g
Then they painted her eyebrows back on now she's a clown
Chorus
F c g
They got it wrong (as usual)
They got it wrong (as usual)
Am
They got it wrong
They took the boy with the overworked vibrato
And called him a singer of songs
They made him lose his faith on the spotlight
Till he started singing 'bout his gun
They shot the wolves in the wild tundra cos man has to be top dog
Then they hauled out an innocent victim and gave him a hearty flog
Chorus repeat
G am
They got it wrong and made it worthless
G am
Got it wrong and made it worthless
G am g am
As usual. as usual
They took the real things that worked for us and threw them out
They took the only things that really mattered
And said this is not what it's about
They killed the wolves in the wild tundra cos man has to be top dog
Then they elevated the ignorant like they were gods
Chorus repeat /pre>
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12. _ Obsessed With Aretha
pre>intro: hey ay ay ay etc
Em d c am twice
(am) em d c am
You get a lot of girl singers obsessed with aretha
(am) em d c am
You get a lot of little swingers wishin' they could be her
Em d
Some of those sisters can rock and roll
C am
All god's children gotta little bit of soul
Em d c am
But not that much no no no not that much
You get a lot of fat christians you want to throw to the lions
Put em in a barrel, roll em off the top of mount zion
Ignorant acceptance is their only aim
With jesus your life'll be better they claim
But not that much no no no not that much
Instrumental verse
D c
Yeah but when you hear aretha singing on some adver tise ment
D c
Or with a big fussy band on some rock'n'roll museum concert
Em d
She's still got the lungs and the dress and the stole
C am
You might even say the girl's still got soul
Em d c am
But not that much no no no not that much
You get a lot of little monkeys swingin' from the treetops
You get a lot of little flunkeys singin' on top of the pops
Some of them appear in the gutter press tellin' you their lives are a mess
But not that much no no no not that much
You get a lot of little stringers pullin' out their penknives
Cuttin' up history jugglin' with lives
Bein' a reporter is a glamorous trade
You don't even have to tell the truth to get paid
Well not that much no no no not that much
Yeah but when you hear aretha singing on some adver tise ment
Or with a big fussy band on some hall of fame concert
She's still got the lungs and the dress and the mink stole
You might even say the girl's still got soul
But not that much no no no not that much
Outro: hey ay ay ay etc
Em d c am twice then fade) /pre>
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